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Sarah Elliott
Near to home
 Diane's way 12016, oil on canvas, 55 x 46 cm |  Diane's way 22015, oil on linen, 50 x 40 cm |  Beginnings 42017, oil on canvas, 50 x 60 cm |
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 Beginnings 32017, oil on canvas, 50 x 60 cm |  Beginnings 22017, oil on canvas, 50 x 60 cm |  Pole 12017, oil on linen, 30 x 30 cm |
 Pole 22017, oil on canvas, 50 x 50 cm |  Roman road field2016, oil on linen, 40 x 30 cm |  Earth2015, oil on linen, 40 x 30 cm |
 Implications2017, oil on linen, 50 x 50 cm |  Yellow stripe with blue2016, oil on linen, 50 x 50 cm |  Purple sky2016, oil on linen, 50 x 50 cm |
 Sunflower fields2016, oil on canvas, 20 x 20 cm |  Pink poplars2016, oil on linen, 40 x 50 cm |  May gold2016, oil on linen, 40 x 50 cm |
 Autumn vineyard 12016, oil on linen, 50 x 40 cm |  Autumn vineyard 22016, oil on linen, 50 x 40 cm |  The missing tree2015, oil on linen, 40 x 50 cm |
 Loosing leaves2015, oil on linen, 30 x 40 cm |  Shimmering tree 22016, oil on linen, 40 x 50 cm |  Entering in2015, oil on linen, 50.5 x 48 cm |
 Vineyard 22015, oil on linen, 40 x 30 cm |  Vineyard 12015, oil on linen, 40 x 30 cm |  Winter Slide 12016, oil on linen, 50 x 50 cm |
 Winter slide 22016, oil on linen, 50 x 50 cm |
As with several of the other projects on this website, these recent works continue to be largely inspired by the countryside near my home in Castelnau de Montmiral. While some paintings remain fairly straightforward in their figurative nature, others, such as Diane’s Way 2 and Entering In, reveal a movement away from naturalistic texture and light that allows for a greater emphasis on shape, color and qualities of light that are intrinsic to the painting itself.
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